UMBRELLA /mar98 – by Judith A Hoffberg INTERVIEW WITH EMMETT WILLIAMS: FLUXUS ARTIST EXTRAORDINAIRE On the occasion of an extraordinary exhibition curated by Paul Schimmel over the past eight years at the Museum of Contemporary Art entitled “Out of Actions: Between Performance and the Object, 1949-1979” and the ancillary event called “Beyond the Pink” which brought performance artists from all over the world to Los Angeles, I had the.. Read More
The ICOAMP was one of those fluxus words that didn’t catch on. It was the time of the ‘Mad Cow desease’, where lots of cows were killed because they had the desease. This organisation was there to protect the cows against the mad people.
Lynn Radford (USA) sent me this postcard. Here IUOMA rubberstamp at first was a mirror view, and the second one is a mirror-view stamp so the text prints readable. The mixture of the two is fascinating, so I enjoy seeing this play: It is something which I enjoy in art. When you create something and you don’t get at first what you were looking for, you integrate it with the.. Read More