For some graphics on Internet I developed a specific sequence:
- Make a drawing with Indian Ink on thick paper and let it dry
- Put some St. Petersburg Watercolours over the image and let it dry
- Make a digital photo of the result
- Guide it through a Roy Lichtenstein application to set the forms and tones like Roy would have done it.
The results are now on some Facebook groups as a banner, and to archive these works I have posted a few here as well.
Six new works I made the last weeks. Experiments with Indian ink, water and pen. Then composition added with watercolours and dated, signed and titled. Chaos and chance elements are added into these works. Something which I love to do and started when I discoverd art as a child. Somehow I like working like this and I see all kind of things in these works.
For a good Digital Cause is a new work I made yesterday. Making digital work is something completely different to working with pen and ink on thick paper and finish the drawing of with russian watercolour. The digital grawings os scans might travel the world, but this original work is unique and only can be in one place. Also holding a work in your hand is something else then watching a computerscreen.
When I look back I see I have been drawing for quites some decades now. Since most of the drawings are digitized too, it has become easy to make an overview of the collection. In a new blog I am now publishing an overview where you can search by Title and also by year, so you can see how the works have developed over the years. I know where the influences came from, but you can judge yourself if you like what you see at:
The blog will grow over the years. Not to publish all the drawings, but to show the developement over the years. I noticed that for some years the drawings haven’t been digitized yet, so it will be interesting to change that and add that to the digital world.
From the firm Karsten (see link below text) I received a new 3D pen to test. They included also a lot of Filament, so that will be an interesting test. Above you see the pen and the in-between result of the object I am working on. The pen works very well indeed. It is faster then the MyRiwell 3D pen I normally use. The nozzle is a bit smaller, so you can work more precize, and also you can adjust the temperature by hand, which is very handy.
The control of the 3D pen is good, it works constant and you can adjust the speed if you need to (for detail work). I noticed that when you stop, it does a little delay, probably to save the noosle from clogging.
The included filament was ABS which I am used to work with. Bright colours and I put the temperature a few degrees higher so the outcoming filament was very smooth and that shows in the result. This form works from Amsterdam. They even sell their new 3d pens through the Media markt and Action shops at quite a cheal price. So 3D pens have become available for everybody now.
For contacting the form go to:
The spirit of Dada continues to thrive in this stunning annual collection of provocative and disruptive Dada-inspired art and writing culled from a plethora of top international contributors, with more than 100 color images. MAINTENANT 11: A JOURNAL OF CONTEMPORARY DADA WRITING AND ART is the latest edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. This year’s theme, “An Eye for a Lie,” offers artists’ responses to the increasing madness of the world, punctuated by politically-charged art and writing. The journal is a full journey into the most imaginative minds in the world, showcasing work of artists and writers from more thirty countries on six of the seven continents. MAINTENANT is archived in museums worldwide.
As you can see,one of my recent drawings is included and I am in good company.
Have been working on a new set of drawings. This time on thicker (400 g/m2) paper. The new set will join the larger collection Human Beings in the Digital World. In the coming year I will choose how to present the collection. Now over 300 drawings already, so the complete set will give some impact. Because every single drawing is very detailed it also needs space to be presented. We will see what is possible.
You can already view a large part of the collection on: www.ArtWanted.com/iuoma