Mail from Miss Noma came in today. A reply to a letter I sent to the UK last week.
Outgoing Mail-Art
Mail to Jude Weimeir – USA
This is a special envelope made for Jude Weimeir in USA. He always sends me the most interesting things, and because he is a composer I thought he might enjoy the circles that form his name and address. Several fonts were used, and protected with plastic and now on its way to San Diego in the USA. Hope it arrives safe and that he enjoys it.
Mail to C. Mehrl Bennett – USA
Mail to Ryosuke Cohen – Japan
To keep the flow going I send Ryosuke Cohen an enveloppe every two weeks. That way the Brain Cells as a reply do come in. I am currious if he reaches the 1000th issue. That is only a few years away, but a year in mail-art is a costly one with the current postal rates.
On the envelope I use an artistamp that Mars Tokyo sent me. They were for the 25 years celebration of the IUOMA. I am using them on my outgoing mail. Seems more fitting then just archive the complete sheet in the collection. With this passing on more people will see it. With archiving you are never sure if someone will ever look through the archive. That problem is there. Some major archives of mail-art are now in museums, but only researchers will go through them. They will hardly get to any public place where others can see it.
Mail to Anna Boschi – Italy
Postcard – incoming
Lynn Radford (USA) sent me this postcard. Here IUOMA rubberstamp at first was a mirror view, and the second one is a mirror-view stamp so the text prints readable. The mixture of the two is fascinating, so I enjoy seeing this play:
It is something which I enjoy in art. When you create something and you don’t get at first what you were looking for, you integrate it with the creating process to make it something completely different. This card is a beatiful sample of it. Love the result, so thank you Lynn!